My favorite era for R&B and Hip-hop spans from the late nineties till halfway the next decade. R&B came out of the age of Slow Jam and evolved into a relaxed and layered sound that propelled it into the mainstream, gradually shedding its African-American bias. The spotlight was on producers like Timbaland, The Neptunes and Missy Elliott and directors like Hype Williams. Music videos were colorful, showcased plenty of swag and required either a convertible car or a helicopter. Seriously, do pay attention how many of the videos in the following playlist feature a Bell Huey chopper 🙂 Anyway, I know you enjoyed volume 1 so here is the next one in my series of R&B playlists. Enjoy. Full track listing if you continue reading. A more contemporary selection is available as well. For different genres have a peek here.
A spontaneous playlist of what I like to call Urban Contemporary music, a.k.a. latter-day soul, R&B and hip-hop with an interesting twist. Who needs payed streaming services, right? Enjoy! More Playlists in a wide variety of genres in the top menu, under Music. Full track listing if you continue reading.
For years, I’ve been keeping genre-referenced lists of songs I want to use in a mix(tape) one day. While browsing through those lists last night, I started to realize how many of those tracks have fallen into obscurity an decided to share them in ready-to-play playlists. First up in my new series are 15 old-school R&B/Soul tracks, all from the Golden Age of MTV and music videos. Just hit the play button and one will play after another. Complete listing if you continue reading. Who said we need Spotify or a paid subscription to listen to music in curated lists? *Update: Been getting messages that a few videos are geo-restricted in some countries. Working on a solution*
In this boiler room set Jazzy Jeff illustrates technical ability, a wide range (across both time and genre) and a sense of risk, venturing harder mixes and scratches … the type of things that are currently lacking in the house/techno/EDM scene. The set starts around the 13″ mark, after an introductory interview. Nice one, Jeff!